Add parallel Print Page Options

32 I am determined to do so because the people of Israel and Judah have made me angry with all their wickedness—they, their kings, their officials, their priests, their prophets, and especially the people of Judah and the citizens of Jerusalem have done this wickedness.[a] 33 They have turned away from me instead of turning to me.[b] I tried over and over again[c] to instruct them, but they did not listen and respond to correction.[d] 34 They set up their disgusting idols in the temple that I have claimed for my own[e] and defiled it.

Read full chapter

Footnotes

  1. Jeremiah 32:32 tn Heb “remove it from my sight 32:32 because of all the wickedness of the children of Israel and the children of Judah that they have done to make me angry, they, their kings, their officials, their priests, and their prophets, and the men of Judah, and the inhabitants of Jerusalem.” The sentence has been broken up in conformity with contemporary English style, and an attempt has been made to preserve the causal connections.
  2. Jeremiah 32:33 tn Heb “they have turned [their] backs to me, not [their] faces.” Compare the same idiom in 2:27.
  3. Jeremiah 32:33 tn For the idiom involved here see the translator’s note on 7:13. The verb that introduces this clause is a Piel infinitive absolute that is functioning in place of the finite verb (see, e.g., GKC 346 §113.ff and compare usage in Jer 8:15 and 14:19. This grammatical point means that the versions cited in BHS fn a may not be reading a different text after all, but may merely be interpreting the form as syntactically equivalent to a finite verb, as the present translation has done.).sn This refers to God teaching them through the prophets whom he has sent, as indicated by the repeated use of this idiom elsewhere in 7:13, 25; 11:7; 25:3, 4; 26:5, 19.
  4. Jeremiah 32:33 tn Heb “But they were not listening so as to accept correction.”
  5. Jeremiah 32:34 tn Heb “the house that is called by my name” (cf. 7:10, 11, 14, and see the translator’s note on 7:10 for the explanation for this rendering).